
These works are driven by the raw energy and spontaneity of nature. Bold, sweeping marks and sharp textures come together to evoke the dynamic forces that shape the world around us. There is no attempt to replicate or represent, but rather to capture the tension, movement, and rhythm found in natural forms. Each piece stands as a response to the landscape, a dialogue between instinct and material—powerful, immediate, and untamed.

Landscapes have always been a constant in my work. I return to them again and again—mountains that repeat like a rhythm, palm trees that mark a horizon, cities that rise and dissolve. They are never fixed; they shift, reappear, and disappear, like places remembered rather than seen. I work with color, lines, and form as if mapping traces of movement—expanses of blue that could be sea or sky, layers of paint that build a geography of memory. Some elements are recognizable, others remain open, inviting you to get lost, to find your own way through.

The sea has always been more than a motif—it is a protagonist, a pulse, a presence that refuses to be contained. This selection of pieces navigates the intersection of memory and materiality, where oceanic vastness becomes both subject and medium. Layers of pigment, fluid forms, and unexpected textures in unexpected materials evoke the ever-changing ocean . This series pushes beyond the canvas, embracing installation and experimental materials—detritus transformed, textures that recall salt-crusted surfaces, the imprint of waves on time-worn matter. There is an underlying urgency: the sea as witness, the sea as archive, the sea as an entity bearing the weight of human intervention. Tides & Blues series is as much about aesthetic immersion as it is about ecological reckoning—an intimate dialogue between nature’s expansiveness and the human mark left upon it.
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